Previous Years' Course Catalogues

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days).

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days). Teaching methods: shared reading of 5 commentaries with explanations by the instructor.

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days).

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days).

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days).

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days).

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days). Teaching methods: shared reading of 5 commentaries with explanations by the instructor.

Most people, when the subject of mediaeval liturgy is mentioned, think of the old service books which have the words spoken (sacramentaries, lectionaries, missals, breviaries) and descriptions of the action (ordos). There is another class of book entirely, the liturgical commentaries, which goes through the public services, explaining the elements they contain. They were also interested in the ministers of the liturgy, their orders and dress, in the structure of church and altar, in the calendar (temporal and sanctoral), and of course in the vexed question of how a priest computed the date of Easter (no diocesan journals in those days). Teaching methods: shared reading of 5 commentaries with explanations by the instructor.

This seminar will explore the special relationship of the arts to the concept of the imagination in the history of Western thought. It will also consider the implications this relationship was had for art's role in the areas of theology and ethics, areas in which reason has been thought to fail in providing adequate knowledge.

This seminar will explore the special relationship of the arts to the concept of the imagination in the history of Western thought. It will also consider the implications this relationship was had for art's role in the areas of theology and ethics, areas in which reason has been thought to fail in providing adequate knowledge.

This seminar will explore the special relationship of the arts to the concept of the imagination in the history of Western thought. It will also consider the implications this relationship was had for art's role in the areas of theology and ethics, areas in which reason has been thought to fail in providing adequate knowledge.

This seminar will explore the special relationship of the arts to the concept of the imagination in the history of Western thought. It will also consider the implications this relationship was had for art's role in the areas of theology and ethics, areas in which reason has been thought to fail in providing adequate knowledge.